An Essay On My Chives Plant

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When I was in college, I wanted a plant in my dorm. So the next time I went home, I dug up a chunk of chives from my mom’s herb garden and potted it. Not two weeks after its safe arrival in North Carolina, I noticed it was teaming with bugs. Naturally, at nineteen years old, I panicked and called my mother.

Aphids, she told me. I doused the plant and soil in soapy water, and a couple weeks later, the bugs were dead and the plant was happy and thriving with several shoots of new growth.

When I graduated college, I took the plant with me to New Hampshire. A couple years, several apartments, and a few more aphid incidents later, I planted it in the yard of my condo, the first property I had ever owned. Then, when we dug up our lives to move to Baltimore for Josh’s new job, I decided to dig up a chunk of my chives plant from our yard in Dover too, and dragged it back down south of the Mason-Dixon line with me.

Somehow, it never occurred to me to celebrate my plant’s tenth birthday, but we breezed by it all the same. And when we once again uprooted our lives to move to Pennsylvania, I uprooted my beloved chives too, and placed the plant in a south-facing window where it could soak up as much sun as it desired.

In the last fifteen years, I have killed many, many plants. I’ve killed flowers of all varieties, dozens of basil plants, mint if you can believe it, pumpkins, peas, cucumbers, numerous other varieties of vegetables, daisies, ferns, grass, pothos, succulents… the list goes on.

But somehow, my chives survived. It has bugs again, though.

Lately I’ve been thinking a lot about the passage of time. I’m in my mid-thirties now, smack dab in the middle of things. I’ve passed the early adulthood of my twenties, but haven’t yet made it to the “official” middle-aged-ness of my forties. I’m not old by any means. But I also don’t really feel young, either. My back hurts sometimes, and if I do too much in one day, I’m stiff the next morning. Learning things isn’t as easy as it used to be. Most of my friends have kids now, and we’re on our third house. 

Once I asked my dad what age he thought he was in his head. I’ve heard people say “My body might be old but I’ve still got the mind of a twenty-year-old!” which made me wonder if everyone feels twenty inside when they reach their sixties and seventies. But my dad told me he thought his self’s age had landed somewhere in his early forties. 

I’m not there yet, but I do feel like my “self” is slowing down a bit. I’m not racing through milestones like college, getting a grown-up job, buying a house, publishing a book, or getting married anymore. I have a lot more experience under my belt (I remember when I was first submitting resumes and desperately wishing for 10+ years of experience since that’s what all the job listings required). My feelings about myself are more consistent; I have a better idea of what I want out of life and what I’m willing to do to achieve success. 

But I have a long way to go yet. A lot more firsts and lasts. A lot more books to write. A lot more plants to not kill. 

When I was younger, I used to wish I was thirty. Partially because everyone always thought I was younger than I was, and when people (rudely) asked for my age, it felt good to see the shocked look on their face when I replied, “Thirty.” But also because I wanted the experience and knowledge that can only be gained through living through those years, and I thought thirty would get me just a little bit closer to the wise wizened old crone I’d always dreamed of being. 

It turns out, being 33 or 34 isn’t that different from being 29, but it is a lot different than being twenty. 

For starters, I care a lot more about my chives plant now. It’s not that I didn’t care at all when I was younger, but back then, I felt like I could just replace it if it died. 

Now, that’s not so true. How do you replace a plant that’s been by your side for fifteen years? The longer life goes on, the more temporary things seem, and the more value I place on things that last, whether friendships, interests, or plants. Five years isn’t so long any more. One year is even less. But a fifteen-year-old plant? That’s almost half my life. Not so easily replaceable after all. 

If the current round of bugs does my chives in, I’ll be almost fifty years old before another one outlives the first. 

The way I value things has changed a lot. What was once “just a plant,” is now a friend who has been with me since I was little more than a child. The jasmine plant I bought in Baltimore is turning six this year—it’s been around almost as long as my marriage. We didn’t even get to have Doggo that long. 

Time is a funny thing. 

But I can tell you this: I’m going to do everything in my power to keep my chives alive. Because fifteen-year relationships take fifteen years to build. And there’s no telling how many more decades I’ll get to keep.

A Tribute To Doggo

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His name was Stuart and he looked like he had descended from the heavens, with the white shining coat of an angel, the deep booming bork of Zeus, and the barrel-like chest of Thor. Though a strong name, “Stuart” made me think of Stewie from Family Guy, as opposed to the wingless Pegasus standing in front of me.

Doggo & Daddo on April 1, 2017, the first day.

After much deliberation and brainstorming, we settled on Gaius Octavius the Destroyer, Guardian of the Stairs, which we eventually shortened into Doggo. Other names for him included Tavi, Octo, Octo-dog, Sir, and The Extra Couch.

We met Doggo at the Appalachian Great Pyrenees Rescue in VA. He was one of roughly thirty other Great Pyrenees dogs currently being cared for by the organization. Celeste introduced us to each of the dogs individually, we walked four of them, and then we asked Vicky which dog she thought was right for us. She said, “Stuart,” without hesitation. So we walked him again, and Josh asked me, “Which dog do you think is right for us?” And I said, “Stuart, of course.”

We signed the paperwork, the lorge boy (at that time around 95 pounds) got a nice brush and a nail trim, and then we opened the trunk of our tiny Hyundai Accent hatchback. He hopped right in, like he’d been waiting for this car ride his whole life.

In the car on the way back to Baltimore from VA.

The whole way back to Baltimore, people driving past us pointed and smiled at the enormous pup in our tiny car, and when we arrived back at our house, we quickly found that his adjustment to our home would be quick. He didn’t even notice the cats for three full weeks. But he found the couch right away, hopped right up on it and curled up in the corner. This would become his preferred napping place for the next five years.

We started walking him in the neighborhood right away, keeping the walks short. But he soon proved that not only did he enjoy longer walks, he preferred them, so our one-mile jaunts became two, became three, became six or seven miles at a time. I carried a backpack with water and a bowl, some treats, and dog bags. We explored the whole of the 133-acre park near our house, wandered down to the waterfront, and even made the two-mile stroll (there and back) down to the Inner Harbor of Baltimore City a few times.

One day when we were out walking as a family, Doggo sniffed at a bush and immediately dove inside it. We dragged him out and found a chicken drumstick protruding from the side of his mouth. We promptly excavated it and relocated the entire container of take-out chicken someone had left in the bush to the nearest trash can. But from that day forward, anytime we walked by, Doggo always made sure to see if the chicken bush had borne any more fruit.

Doggo and best frendo Dexter.

After we’d been in Baltimore for a year or so, and had become friendly with our neighbors, we decided to take down a section of the fence between our houses, effectively doubling (more than doubling) the size of our yard. The neighbors had a rambunctious labradoodle named Dexter, and Dexter and Doggo quickly became best friends. They wrestled, borked, and shared treats. Doggo learned where Dexter’s food bowl was, and Dexter learned that we had cats.

The humans in the situation developed a system of alerting one another when either Doggo or Dexter was spending some time in the green space, but weren’t always perfect about it. Many times, Doggo would wander next door, and if they had left the back door open for fresh air, he would make his way straight for Dexter’s food bowl. Sometimes he would even bark at their back door, and then when they opened it to see who was there (always Doggo lol), he would have a surprise playdate with his best frendo and get some extra scrotches from Aunt Sammy and Uncle Andrew. Dexter, of course, managed to sneak into Doggo’s house many times—he didn’t care so much for Doggo’s food, but went straight to hunting Doggo’s cat siblings.

Doggo asking to be let into the neighbor’s house.

Doggo was a very smart boy. He knew all number of English words, from “sit,” “stay,” and “go lie down,” to “beg,” “wait,” “heel,” “up,” “down,” “no,” “back,” a double whistle which meant “hurry up” and which we used for crossing the road, “do you want to go,” “car ride,” “walk,” “chicken,” and “cheese.” Of course, all commands were optional in his mind (he was a Great Pyrenees after all!), but he understood them even if he ignored us.

Doggo spent most of his time sleeping. He had a specific system for determining where he preferred to nap, doing calculations based on temperature + humidity + type of floor material x where Mom was, and if Daddo was home from work, then of course Doggo was as close to him as he could possibly get at all times.

Doggo enjoying a bone

His favorite activities other than napping included borking at the post office person, borking at the evil birds, and borking at motorcycles. He also enjoyed scrotches, burying bones, and receiving treats. The first time we gave him a rawhide bone, he grabbed it and marched to the back door, demanding to be let out. We let him go, just to see what he did. He took several passes around the yard before selecting a corner in the back where he dug a hole, dropped in the bone, and promptly used his nose to cover it back up with dirt.

Another favorite past time of Doggo’s was car rides. He didn’t care where we were going if it meant he could hop into the back of the car (we did get a larger one lol). Long car rides, short car rides—they were all the best thing ever. Car rides were also great for thunderstorms and fireworks, both of which he found absolutely terrifying.

Daddo and Doggo at the Canton Waterfront park with the water taxi in the background.

Sometimes at the end of the day, we would drive (or walk) down to the Canton Waterfront Park, where Daddo would be arriving after work. When Daddo got off the boat, Doggo would make a beeline straight for him, ignoring all the friendly other people offering hands for scrotches or making comments like, “omg look at that dog” or “he’s a floofer!” or “are polar bears allowed in the city?” All he wanted was Josh, and it wasn’t until he had received sufficient pets from Daddo that he would even deign to notice anyone else in the vicinity.

Doggo also very much enjoyed the longer car rides we took to visit his grandparents. Once, we were visiting my parents in NY and took him for a long walk in the field. He found several deer hangout spots, and it was at one of these where we first saw him drop down onto one shoulder and roll in the dirt. Rolling always made him happy—in dirt, dead animal smells, grass, and snow.

Doggo relaxing in upstate NY.

Visiting Josh’s parents was an even longer journey, but he loved NH. His favorite place to hang out was under Josh’s parents back steps, a nice, cool, gravelly spot perfect for both watching and napping at the same time. He could keep an eye on his flock of humans, while also being certain he would be the first to see any evil turkeys if they wandered into view, so he could bork loudly enough to scare them off and ensure the safety of his people.

In 2021 we moved from Baltimore to rural Pennsylvania to a much larger house. No longer did he have to wiggle backwards to get out of the narrow spaces that filled our old row-house. He could sprawl out in a dozen different spots in the same room, walk in circles around the house with a bone, and actually turn around without having to back up. (Though in Baltimore he had become very good at following the command, “Back!”)

The PA house came with something else he loved: an enormous backyard filled with birds, rabbits, foxes, deer—even a bear. In Baltimore, we never worried about Doggo running off. He stuck by us no matter what. But the few times we attempted letting him hang out with us off-leash in PA, he would go trotting off down the hill to check out the tree where the rabbits lived, or pee on the same spot as all the foxes. He never went far—just checked the borders of the property and came back. But the yard was just too interesting to ignore.

The thing about Doggo was that he loved everyone. He would stand beside a complete stranger for hours if they would just pet him. In groups, he would walk from person to person, either kindly requesting or gently demanding scrotches. He would lean against you if you were standing up, and sometimes the Pyr paw would reach out and smack you if you dared to stop petting him. He made anyone who spent any time with him feel special.

Doggo in the yard in PA, probably hoping the new neighbors Jerry & Becca would come over and give him scrotches.

He didn’t even have to try to weasel his way into people’s hearts. Everyone loved him, even people who didn’t love dogs. Children could run up to him and throw their arms around his neck, and he would just stand there and accept the love. He had human friends in Baltimore (complete strangers to Josh and I) who knew him on sight, and would run over to say hi anytime we were out for a walk. He was also good with other dogs in most situations, and had a number of other pups he liked to sniff and play with. He was a gentle giant with a calm spirit and oversized charm. A cuddly teddy bear, if a drooly one.

But of course Doggo loved no one more than he loved Josh, aka Daddo. If his favorite things included napping, walks, car rides, and treats, those things weren’t quite as good if Daddo wasn’t there. Daddo scrotches were the best kind. Car rides with Daddo meant he was having the best day. Treats from Daddo tasted better than any other treat. Daddo naps (in the human bed, nonetheless) were the best naps. Couch time with Daddo in the evenings were his absolute favorite, especially when there were pizza crusts around. The only thing he liked more from Mom (me lol) was going on long rambling, treat-filled walks through Baltimore City.

Daddo checking his work email with Doggo’s “assistance”

And in 2020 when Josh started working from home, Doggo’s life went from great to the greatest. Now Daddo was around all day, 24/7. He could sleep next to Josh during the day, get scrotches at 10 AM instead of having to wait until 5 PM, got mid-day walks around the block at lunchtime, and received a steady stream of treats from the treat jar on Daddo’s desk all day long.

And when Doggo started to get old and not feel so well, it was Daddo who he laid next to on the floor, Daddo who he wanted walks around the yard with, and Daddo to give him his daily medicine.

Doggo was truly the best dog who ever lived. He filled a big hole in our hearts we didn’t even know was there. And now that hole is back, it hurts more than we ever could have imagined.

Our years with Doggo were some of the best of our lives, and he will never, ever, be forgotten.

Midnight Flight is here! + New Year Update

Midnight Flight is here!

If you prefer, you can click here to start with Book 1: Midnight Wings.

About Midnight Flight

Midnight Flight is the continuation of El's story from Midnight Wings.

It picks up two years later, as El is about to graduate from fighter pilot training--the greatest achievement of her life. Three days before it's official, Queen Amina offers El a special task: join her crew of elite pilots, assassins, and trackers for a secret mission on a nearby planet. Thrilled at the opportunity, El agrees.

When they arrive on the planet, El keeps her eyes and ears open for any information that might be relevant to the queen—about the mission, the other members of the Queen's Guard, or the local inhabitants.

But on the team's return trip, when one of the assassins cracks open El's skull and leaves her for dead, El has to wonder—was this truly the queen's plan all along?

Although the book is about El, whose character was originally based off Cinderella, the story itself is a retelling of Snow White and the Seven Dwarves.

New Year Update

Happy New Year! (A little bit late lol.) I have a lot of exciting things in the works, so I figured I should give a quick update:

First of all, books 6 and 7 of the Land of Szornyek series will be published this year! Book 6 is titled Breath of Fire, and Book 7 is titled Fog and Flame.

Secondly, several more fairy tales are in the works. Midnight Flight released today; next up in the queue is Giant Killer, which is the ninth book in the series and the direct sequel to The Stalk. It will be about Jack, and is a retelling of Jack the Giant Killer. (If you like box sets, I'll be creating box sets for the series as well.)

Third, I've been talking about my super secret project for almost three years now--a fantasy trilogy with magic, androids, and murder--I'll be releasing that this year! If you'd like to learn more about that and see some potential cover designs, click here to read about it.

Fourth, a couple of weeks ago, I announced on Instagram that I am working towards an unusual business goal. I don't usually include a lot of boring business development stuff in my newsletter, but I wanted to be transparent about some changes that will be happening moving forward.

The goal is this: in the future, I'd like all of my books (in their digital format) to be available for free. I have some personal reasons for this, but it is also about accessibility—I think stories make people's lives better, and if someone wants to read my books, I want them to be able to do that regardless of their financial situation. As part of the process, I am trying to set up alternative revenue streams so that I can afford to continue to produce books (production costs money!) even while the books themselves are free.

This means I will be talking about Patreon a lot more (if you'd like to support me as a patron, click here!). In addition, I set up advertising on my website, so if you browse through my blog posts, it will generate income from the ads appearing on the pages. I also have already started to develop products (you can see my t-shirt collection here [they run fitted!]) and will be adding more options in the future.

As part of this all, I've already made the first five books in my first ever series The Sagittan Chronicles free everywhere, if you're interested in reading them. The rest of the series (Fall of the Flighters and the two short stories) will be dropping to free in a couple of months.

Fifth, I'll be working on building out my A. J. Sieling brand with works of non-fiction, including more personal essays, essays on topics I like to think about, as well as books for writers. If you're interested in getting my newsletter for writers, you can click here.

Finally, I have a new super secret project in the works! Just kidding; it's not super secret. And no doubt I'll be talking about it a lot. It's a cozy, paranormal ghost mystery series with a beekeeper as the main character. The series will be titled Cecily Winters, and the first book is tentatively titled, Cecily Winters and the Mystery of the Missing Bees. Stay tuned for more information on that.

Aside from that, I'll be doing several writing workshops at various writers associations and conferences around the world this year, both on Zoom and in person, and I'll hopefully be at Baltimore Comic Con in the fall.

How To Write The End of a Book (For Pantsers or Discovery Writers)

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“How to write the end of a book” is a phrase I’ve googled dozens of times. But most of the advice is for plotters. What if you’re a discovery writer or a pantser—what then?

This is also not about how to edit the ending of a book. A lot of advice out there is about perfecting your ending. But what if you’re 3/4 of the way through a rough draft, and you just … don’t … know?

I feel like I get to this place nearly every time I write a book. I’ve got thirty books under my belt and I still struggle. So I’m going to share a few strategies I use to get through that last 1/4 of a manuscript for the first time.

I am under no illusions that these will work for everyone. But if you’re just looking for ideas… maybe one of these will jog something in your brain.

The Sisyphus Method

Are you familiar with the myth of Sisyphus? This dude cheated death a bunch of times, and finally the gods condemned him to rolling a big rock up and down a hill for all eternity. This is sometimes how I think about putting words on the page—one at a time, one after another after another, over and over and over.

This strategy is the roughest, most brute force method I use. But it works, because I’m a pantser, and often I just need to start the work in order to get the words flowing. When I was a newer writer, sometimes I would use this method for hundreds or thousands of words before they started to flow more easily; now, it usually takes me only a few hundred furious words shoved up a hill before I realize where the story is headed.

Usually, to make this work, I begin with one of two things: a character name or a place descriptor.

This means that the first word might be “Askari…” (character name), and often the next word is either “was” or an action verb like “strode” or “ran.” Even in more emotional scene, it’s something like “hated” or distrusted” or “loved.”

In the case of a description, I might say something like “The sun” as the next thing, and again, an action.

  • The sun rose

  • The water lapped

  • The skyscrapers towered

  • The building exploded

Character name, action. Character name, action. Over and over and over.

Setting description, verb. Setting description verb. Over and over and over.

I didn’t say it had to be good—but that’s what revision is for. Sometimes, the goal is to simply get words on the page. And this method will do that for you.

Back-Plotting

But what if the goal isn’t to just get the words on the page? What if it’s to get the right words on the page? Or at least, close-ish to the right words?

The next method I regularly use, I call “back-plotting.”

I’m a pantser, so I don’t outline. But, sometimes sitting down and writing an outline of what I’ve already written is incredibly useful. I highlight things like the characters, where they’ve been, what they’ve done, why they’re doing those things—anything I know could play a role in the ending.

This does a couple of things for me:

  • It reminds me of details I wrote that I might have forgotten

  • It shows me the plot arc from a high-level perspective

  • It helps me slow down and look for any threads to pull that might be the perfect one to lead me to the climactic moment

  • It helps me review all the major characters, where they are and what their doing, and look for places character arcs need to be completed

  • It gives me a birds-eye view of all the moving pieces

Sometimes, to go along with this method, I’ll draw a map. I’ll ask myself where each major player is and what they’re doing there, and then say, “Where do they need to be and how are they going to get there?”

Okay, so this is basically plotting. But I don’t write it down in an outline form. Instead, I might make one or two notes just to remind myself of something, and then I dive back into the drafting.

Re-Reading

People have different opinions on re-reading. Some say you should never, ever re-read anything you wrote until you’re completely done with it. Other people say you should re-read what you wrote yesterday and then continue forward once you’ve reached the end of what’s there. Some suggest starting from the beginning if you’re having writers block, some say not to worry about what you wrote before and just write what you think you should write now (and go back and fix any inconsistencies). Some people say that if you re-read something, you risk getting stuck editing when you should be drafting the end; other people say that doing some editing helps them re-immerse themselves in the story.

My philosophy is that if I need to re-read something, I do. If I don’t need to, I don’t.

If I’m really struggling to write, sometimes I’ll re-read what I wrote before and it’ll show me where I need to go… but sometimes, I just fix some stuff and end up not making any progress.

It’s so easy to attach “right” or “wrong” to these methods but the truth is they’re all valid, and what works will not only vary from writer to writer, but can also vary for a single writer based on their mood, where they are in the process, and what the best process works for them.

Sometimes, I’ll even go back and read something I wrote on an entirely different project.

My advice is that if you want to try this, go for it, but try to pay attention to what’s happening in your brain when you do it. Are you getting hung up on stuff? Do you feel like the drains are clearing? Are you bored? Are you antsy? Do you hate it all? Do you love it all?

Then, if it makes you feel like you’re moving in the right direction, it might be a good strategy for you. But if it makes you feel like you’re moving in the wrong direction… ABORT! ABORT!

Put It On Ice (Or Don’t)

Yes, I know Stephen King said we should all write every day. But like… nah, bro. Lol.

I don’t write every day. I can’t write every day. If I wrote every day, I’d never get anything done.

One thing I’ve learned about my process is that I operate in bursts. Which means, if I’m stuck at a spot, especially the end, one really effective strategy for me is to take a few days off. Sometimes I’ll keep it to one day; other times, I’ll wait months to come back. This is why I work on many projects at once, so while one project is aging, percolating, I have something else to focus on.

That said, I have dozens of books and a lot of experience actually finishing projects behind me. So if you’re still on your first book, I don’t necessarily recommend this.

But at the same time… I do! The point here is to learn your process.

If you need to write every single day, or at least, show up to the page every single day in order to make progress, do it!

The one thing I will advise when it comes to waiting, and letting your manuscript sit for a bit—do it with intention. Decide when you’re going to come back to it, and follow through on that. Intentionally think about the book and the plot while you’re doing other things like washing the dishes, exercising, or taking a shower, even if the thought is just to review the problem you’re having with the story.

But always come back. Because the book won’t get written if you don’t write it.

Ounce of Prevention

This is a less helpful strategy for in the moment. But the thing is, so often we want a quick fix, when the best fix… is to do it right the first time.

But what does this look like? Especially for something like plotting a single book?

The thing is, unless you only ever plan to write one book, it’s important to remember that writing is a practice. The same way that learning to play an instrument involves listening to music, taking lessons, and practicing scales, learning to write—and subsequently to write the end of a book—involves learning new things about writing, reading other people’s work, and practice.

It’s not always possible to write every day, or even as often as you like. But there are other writing-related things you can build into your life. Things like:

  • Listen to writing podcasts at the gym

  • Follow other writers or teachers on social media

  • Listen to audio books when you’re driving to work

  • Think about plot, characters, and conflict when you’re watching TV

  • Notice the ways you tell stories about life or your day to your spouse or kids

  • Plan to attend writers conferences or workshops

  • Go to library events

  • Take classes on random things that interest you

  • Identify what you’re good at and see if you can use those strengths in your writing life

  • Tell your kids bedtime stories

  • Notice endings around you—marriages ending, lives ending, events ending, people transitioning from one stage of life to another—and try to pinpoint what makes those endings interesting, unique, or really boring

Writing doesn’t have to be all-consuming if you don’t want it to. And I’m not trying to suggest that your entire life should be devoted to writing (unless you want it to). But writing is a subconscious art, and the more conscious fuel we give our subconscious, the stronger and more effective it becomes.

Ultimately, the key is to find strategies that work for you—whether we’re talking about how often you write, what kinds of books on writing you read (or don’t read), whether or not you go to writing workshops, or what your writing process looks like.

This means, that if there is something that you know works for you, but someone else told you that you’re doing it wrong—ignore them. If it works for you, it works! So go do that thing.

But if you are looking for a new idea because what was working isn’t anymore, I hope this article gave you some ideas. Good luck, and keep writing!

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What I Learned About Character Development From My Cheating Ex

When I was 18, my boyfriend cheated on me. He told me that we were meant to be together, and then he hooked up with another woman at a party he went to his swim team.

I didn’t break up with him for three full weeks after I found out. Because after all, we were meant to be together. But I kept getting fixated on this single question: how was it possible that I was meant to be with someone I now knew I couldn’t trust?

Eventually, I decided I was mistaken. We weren’t meant to be together. And if somehow, this relationship was actually pre-ordained by god or the universe or whatever, then god or the universe or whatever sucked. So I broke up with him.

This experience shaped all of my future relationships. It was trust or nothing.

This is me around the age this happened.

And not just my dating relationships. If I felt betrayed by someone, I just left. It was a pretty simple and straightforward boundary. I expected that friends, significant others, people I worked with, and family to keep their promises. And if they couldn’t for some reason, I expected them to communicate about it—talk to me, and give me the opportunity to adjust my expectations.

It also impacted how I thought about religion and philosophy, how I approached making decisions, and my willingness to change my mind about things—in that it set the foundation for me to be confident in the idea that I’m allowed to change. I’m allowed to change direction. And I’m allowed to be wrong.

As part of my fake master’s degree, I’ve been binge-reading romance novels. Romance is a wonderful genre, full of diversity and complexity. I don’t really enjoy romance plots that much overall, but I have been consistently impressed with nearly everything I’ve read.

My goal was to better understand how to write a romantic subplot, and who better to learn from than the experts?

Lately, I’ve been noticing the “singular past experience” trope appearing repeatedly in the work I’ve read.

  • The woman who was bullied in high school.

  • The man who had a specific experience during his time in the military.

  • The person whose father left when they were young.

  • The woman who grew up grifting and stealing because she had no other options.

  • The man experimented on by his scientist parents (yes, this is a very sci-fi trope lol).

  • The person whose parents were arrested right in front of them.

When I first started noticing this trope, I sort of rolled my eyes and thought to myself, “People are way too complex. There’s no way one single experience would have this much of an impact on a person, especially so much later in life.”

Then I started looking at myself.

On one hand, yeah. People are complex. All of our experiences blend together to create whatever version of ourselves we are at right now. Innumerable experiences matter to our current reality. We wouldn’t be where we are if those things hadn’t happened.

But at the same time, that doesn’t mean that one specific experience hasn’t had a more significant impact than most other experiences.

It’s been fifteen or more years since my ex cheated on me. And if he hadn’t cheated (or I hadn’t found out about it), I might have married him. And if I’m going to be honest with you, we’d probably be divorced by now. Because, if he hadn’t cheated then, he probably would have cheated later.

If he hadn’t cheated on me, I might have been less distrustful of others—on one hand, this might have allowed me to have closer, more intimate relationships with more people. On the other hand, it could have led to me not having healthy boundaries and repeatedly getting into toxic relationships.

It certainly impacted how I communicate in relationships—setting expectations up front. Being open about what I need or want. Making my boundaries clear.

If he hadn’t cheated on me, I might not have ever learned that it is okay to change my mind.

Okay, well, I probably would have learned that. But I might not have learned it so early, or quite so profoundly.

I know, hypotheticals are kind of pointless. We can’t possibly know what might have happened. But I can still see what did happen.

So yeah. That singular experience trope that’s so often used in storytelling? I don’t think it’s just a plot device anymore.

Of course I’ve always known that backstory is an important part of character development. But how important, exactly?

I don’t think I need to know every little detail about my characters. It doesn’t matter what they wore on their first day of third grade. It doesn’t matter that they scraped their knee on the playground in fifth grade. It doesn’t matter that they went through a reggae phase when they were sixteen.

But the car accident? Their parent leaving? Failing at something important to them? A person close to them dying?

These are the kind of moments that profoundly shape the way we grow and form, that impact who we become as people and adults. And it’s not just that they happened—it’s how they felt about it and responded to the moment.

Everybody has a cheating ex. Maybe not literally, lol, but figuratively speaking. There is something which had more impact on us than most other experiences in our life.

We might not know it about ourselves. And that’s okay.

But it’s definitely worth knowing about our characters.