Digging Up Trouble Part Two: Burrowed Clues

Click here to read Part 1: Trouble In Fur!

Part Two: Burrowed Clues

The old train station wasn’t the best spot to hang out at night, and it was a strange place to have a meeting any time of day. I'd just heard the midnight train rattle through, the last one until tomorrow morning. It wasn't in the safest neighborhood, and certainly wasn't a place I'd expect a whisker like her to visit. Rich dames usually had their own cars. Or used the station in the nice part of town.

My footsteps echoed in the empty platform, though the rain pounding on the roof created a soft, constant thrum that filled the silence. It was only punctuated by the occasional squeak of a critter or a gust of wind from outside. Overhead fluorescent lights flickered over empty benches, catching graffiti tags and the faint reflection of neon signs blinking outside. The bleach-smelling station was clean and orderly, but deserted, as if time had paused between the last train and the next.

I spotted Millie standing near the timetable board, her eyes fixed on the rafters high above. She didn’t turn when I approached, but her ears flicked at the sound of my wet paws padding across the floor. I gave my coat a quick shake, sending droplets scattering.

“You’re punctual,” she said, still staring at the ceiling.

“You’re lucky,” I replied, brushing the last of the rain off my hat. “So what are we doing in an empty station at midnight?”

She glanced over her shoulder, her eyes as sharp as broken glass, and pulled a folded piece of paper from her crocodile skin clutch–stained burgundy, of course. “I found this when I emptied out my uncle’s old safety deposit box.” She turned to face me and held out the scrap of paper. “It’s an old map of the station. Hand-drawn. And see that mark?” She pointed to a small X scribbled roughly where we were standing. 

I studied the map, tracing the lines with a claw. But the X wasn’t just randomly placed—it was marked on a spot where the ceiling met the wall, almost hidden from view. And if the map was accurate, then I should be able to see the spot from where we stood.

"There," Millie said. She pointed up toward the ceiling where a small piece of plywood had been nailed to the wall exactly the map indicated.

“So what’s the big deal?” I asked, handing it back. "It's a piece of plywood. An old repair. Nothing more."

“That X marks something my uncle hid,” she said, her voice low, almost a whisper. “I think it’s a clue to whatever’s buried at the Barrow estate, but it’s out of my reach.”

I followed her gaze to the rafters, where the plywood blended in with the station around it, a long-forgotten repair now dusty and tattered with age. It was a good twenty feet up, just out of reach unless you had a ladder—or claws and a knack for climbing.

“How can you be sure something’s still up there?” I asked, keeping my voice casual, though the gears in my head spun. "What if someone took it already?"

“Because no one else knows about this map,” she said, tucking it back into her coat. “My uncle was careful—paranoid, even. Whatever he stashed up there, he didn’t want it found easily.”

“You sure about this? Could be nothing.” I was reluctant to make the climb without some reassurance this wasn't a wild goose chase. 

Mille looked at me, eyes dark and determined. “Or it could be everything.”

I shrugged, but my gut told me she was right. There was something hidden there. The map with the X and the plywood in exactly the same spot—it was too much of a coincidence.

I found a narrow support column, slick but sturdy, and hoisted myself up. My claws gripped the metal, and I moved carefully along the beam until I reached the plywood. It was rotted around the edges and gave way with a bit of force, revealing a small metal box wedged inside a small gap in the wall.

She'd been right.

Slipping the box into my pocket, I carefully climbed back down. "There was something there," I told her. Her eyes widened as I handed her the box, no bigger than a pocket watch case, tarnished and sealed tight.

She pressed the button latch and it clicked open, revealing a single object inside: a small, brass key, ancient and worn, with an intricate design etched along the shaft. It was the kind of key that opened more than just a door—it unlocked secrets.

“That what you were hoping for?" I asked, trying to gauge her reaction.

She held it up in the light, a spark of excitement flashing in her eyes before she buried it beneath a cool, calculating gaze. “This is it. The key to whatever my uncle hid at the estate. If we get there first, we get it all.”

The word "first" rang in my ears. Did that mean someone else was looking for this treasure? What exactly was I getting myself into?

I watched her, trying to read the truth behind her eyes. She’d gotten me this far, but now we had a key, a map, and more questions than answers. And if the next stop was the Barrow estate, the real trouble was just beginning.

“Meet me at the estate tomorrow night,” she said, slipping the key into her coat. “Same time. And bring your penchant for sniffing out clues, Detective. We’ve got work to do.”

She started to walk away but I held out a paw. "Payment first, whisker. A train station is one thing, but a haunted house at midnight is something else entirely." 

A silky laugh echoed in the empty train station as she slipped a hand into her pocket and withdrew an envelope stuffed with cash. 

"Just be there," she said.

I watched her walk away, the sound of her steps fading into the empty station. I’d been hired for jobs before, but this one had a feeling I couldn’t shake—a mix of desperation, mystery, and the kind of danger that felt like tufts of fur being yanked out of your tail. 

We weren't just digging up valuables. 

We were digging up trouble.

Click here for Part 3: Stripes & Shadows!

The Fog: A Poem

I like to go for walks, and while I know people are afraid of the woods and trees and whatnot (???), I am not and have never been. I love the woods, even in the dark, even in storms. The woods are familiar and comfortable and safe to me.

That said, the wood does have dangers. Just like cities and small towns and outer space.

Humans are fragile. Gotta take care of yourself, right?

I wrote this poem about the branches of trees stretching out without leaves, the sound of the wind, the feeling that something could be there—you just can’t see it.

Happy October!

The Fog

Who knows what hides in the fog?
Maybe nothing.
But the naked arms of a tree
reaching out to touch
your golden curls.
Maybe nothing.
But a warm breath
on the back of your neck
from a friendly breeze.
Maybe nothing.
But the eerie whining
of the wind
through a rocky crevice.

Maybe nothing…

Starship Blunder: A Shareverse Coming Soon!

My life has been absolute chaos. The kind of chaos where, as soon as you think maybe it's dying down a bit... WHAM! You get hit with something else.

Between moving to a new state, weddings, a trip to Alaska,  and starting a new full time job (!), as if that weren't enough, we have also been building up our collection of rescue critters and I got sick—starting with Influenza A which turned into pneumonia which turned into bronchitis. 

I'm finally breathing properly again, just in time for the launch of a new anthology called Starship Blunder! I'm super excited about this. It's the first anthology I've been part of in quite a few years, and it's a fun one!

I am one of twelve authors who were selected to publish a short story as part of this book. It's a different experience for me too, because it's a shareverse, meaning that every story is set in the same universe, on the same starship, with crossover characters. I had a ton of fun with it and it made me interested in potentially participating in another shareverse anthology at some point in the future. 

The book launches on October 1 and we are having a virtual launch party on October 5th. Please consider attending! It will be one of the only virtual events I'll be doing this year, and I'd love to have you there.

To sign up, just click here and fill out the form and you will receive a link to join a day or two ahead of the event. 

I'll send out a reminder next week after the book goes live, in case you want to grab a copy. But in the meantime, you can always click here to preorder!

I hope you’ll join us for this fun new story coming October 1st! And stay tuned for more details and maybe even a sneak preview!

Badger Camp Short Story: Digging Up Trouble Part 1

Sharpen your claws and get ready to dig!

Badger Camp: October is almost here!

Our theme this time around is suspense, and to help spark creative juices, our favorite camp counselor, Spark, has written a suspenseful film noir tale, featuring Detective Clawson, known for digging up trouble.

I’ll be posting each section on my blog.

Without further ado, here is part 1!

Part 1: Trouble In Fur

The rain came down in sheets, battering the city with a relentless rhythm that echoed like a badger's heartbeat in an empty tunnel. I was nursing my last cup of coffee in my office—a cramped hole-in-the-wall that smelled like damp earth and bad decisions—when she walked in.

Her fur was slick with rain, stripes sharp as daggers, and eyes that could cut through fog thicker than a badger’s burrow in midwinter.

“Detective Clawson,” she purred, her voice smooth but with an edge, like talons sheathed in velvet. “I hear you’re the kind of badger who can handle... delicate situations.”

I leaned back in my chair, claws tapping the desk, sizing her up. “Depends on the situation, honey. What’s your trouble?”

She glanced out the rain-streaked window as if expecting someone—or something. “It’s about a house. The old Barrow estate on the hill.”

My tail twitched. The Barrow estate was a dilapidated ruin, left to rot after its last owner vanished without a trace. The kind of place where shadows whispered secrets you didn’t want to hear. What could a whisker like her want with a place like that?

“What’s your angle?” I asked, narrowing my eyes.

“My uncle was the last to live there,” she said, her gaze darting around like she was scared of her own words. “There’s something buried in that house. Something valuable. I need someone who can dig it up.”

I wasn’t born yesterday. This dame was trouble wrapped in a velvet pelt. “Why not dig it up yourself?”

She sighed, running a claw through her damp fur. “Because someone else wants it too. Someone dangerous.”

I was about to tell her to find another badger when she leaned in close, a hint of desperation in those cold eyes. “Meet me at the old train station on Mudpaw Lane tonight. Midnight. We can discuss the details there.”

As she turned to leave, I reached out a paw and grabbed her arm. "You got a name?"

"Melinae," she answered, a small smile playing around her lips as if she knew she'd won. "Melinae Brock. But you can call me Millie." Then she vanished through the door with a flick of her tail.

It looked like I had plans later. At midnight.

I should’ve known better, but sometimes a badger’s curiosity gets the best of him, and this case was already digging its claws into me.

Click here for Part 2: Burrowed Clues!

Giant Mice & Lava Ice: Designing Unique Fantasy Settings

When I think about fantasy settings, I often notice that a lot of stories tend to stick to a few familiar environments: lush, forested areas filled with magical mushroom rings, castles, and cascading waterfalls; or barren, arid landscapes, like fields of volcanic slate and dusty deserts.

A mysterious stone building or castle amid a green deciduous forest with thick ferns and straight-trunked white pines.

And don’t get me wrong—I’m guilty of it too. I love trees, so naturally, a lot of my fantasy scenes unfold in expansive forests and arboreal cities. But there’s so much more possibility out there, and I often find myself dreaming of other ways to build settings that feel fresh, engaging, and utterly different.

I remember visiting the Baltimore Conservatory and being captivated by the wide range of plants there. Some of them looked almost alien—twisting, angular, bizarre shapes that seemed more at home on another planet than here on Earth. I couldn’t help but imagine that they were sentient, whispering secrets to each other when no one was looking.

I walked around that conservatory with potential stories spinning in my head about these plants as alien species, capable of thought and communication. But even outside of sci-fi, these plants could easily be the foundation for a unique fantasy landscape, something that’s different from what we typically see.

While my own fantasy writing isn’t always breaking new ground in this regard, I’ve started to collect ideas for creating settings that are more unexpected. Here are a few things I consider when crafting new and unique fantasy locations.

1. Make Things Big or Small

One way to immediately create a sense of wonder is by playing with scale.

Those giant desert plants at the conservatory—what if they were the size of a house? Or grew on stalks like trees, reaching toward the sky?

Or think of Gulliver in Lilliput!

What if my character encounters a tiny fairy who leads them to a vast ocean, only for it to turn out to be nothing more than a medium-sized cow pond?

.Shifting size and perspective can transform ordinary landscapes into something extraordinary.

2. Pull From the Real World

There’s no shortage of bizarre and stunning geography in our own world. Sometimes I look at photos of real places and think, “How is this not already in a fantasy novel?” Here are some real-world phenomena that could inspire amazing settings:

Rio Tinto, Spain: A river with bright red water due to its high acidity and iron content.

The Danakil Depression, Ethiopia: A surreal landscape of sulfur springs, lava lakes, and salt flats.

The Giant’s Causeway, Northern Ireland: Thousands of interlocking basalt columns that look like stepping stones built by giants.

Socotra Island, Yemen: Home to dragon’s blood trees that look like giant umbrellas, with bright red sap that seems otherworldly.

The Fly Geyser, Nevada, USA: A multi-colored, constantly evolving geothermal geyser that looks like something out of a dream.

These places are proof that you don’t have to stretch too far to find inspiration. The real world is packed with strange, beautiful, and outright bizarre places that can be the jumping-off point for an incredible fantasy setting.

3. Flip Stuff Upside Down

One of my favorite tricks is to turn things upside down—both literally and figuratively.

Imagine if trees grew with their crowns on the ground and trunks in the sky, drawing water not from roots in the earth but from clouds above. Or what if the ocean floated overhead instead of lying on the ground, with fish swimming in the sky and ships sailing on air? You can take this concept and twist it in countless ways:

What if mountains hung down from the sky like stalactites?

Picture a city where people walk on the ceiling and gravity doesn’t pull the way we expect it to.

A waterfall that flows upward into the sky instead of down.

These shifts can disorient and excite the reader, giving them a world that’s truly unlike anything they’ve seen before.

4. Use Sensory Details in New Ways

When building fantasy settings, I always remind myself that sensory details don’t have to match our expectations.

Maybe the ocean smells like fresh-baked donuts instead of salty brine.

Flowers could smell like burnt rubber, water might always be warm, or rocks might feel like squishy stress balls underfoot.

These small tweaks can make the world feel vivid and alive, sparking the reader’s imagination in unexpected ways.

5. Connect Your Features

For me, creating unique settings is also about ensuring that each element of the landscape feels interconnected. A lava river might link a mountain to a lake, with strange plants growing along its molten banks.

A transport ship sitting in the Baltimore harbor with rays of sun cascading down from the clouds above.

I like to think about how people might navigate these extreme environments—maybe they’ve developed special boats to sail the lava, or suits to protect them from sulfuric steam. Maybe their species has evolved differently from a human, so they can bear the extremes in with a different level of tolerance.

It’s not just about the landscape itself but about how the terrain shapes the lives, cultures, and technologies of the people who inhabit it.

6. Keep Some Familiarity

Even when I’m creating something wild and new, I think it’s crucial to balance the strange with the familiar. Not everything needs to be unique; sometimes, a few touches of normalcy—a blue sky, ordinary rocks, or just plain grass—can help anchor the reader, allowing the truly imaginative aspects to stand out.

I want them to feel immersed in the world, not drowning in it.

It’s a balancing act, ensuring that the world feels immersive without becoming overwhelming.

7. Consider the Purpose of The Setting

Finally, I always keep in mind that not every scene needs to have a jaw-droppingly unique setting.

Sometimes, the plot, characters, or theme need to take center stage, and in those moments, a simple, relatable environment can be the best choice.

save the more elaborate settings for moments when I really want the reader to stop and savor the world.

So, whether I’m writing in a forest, a lava river, or an upside-down city, I’m always thinking about how to create a setting that’s not just a backdrop but an integral, exciting part of the story.

Fantasy worlds can be anything we want them to be, and I love exploring every strange, beautiful possibility.

Off the coast of Alaska, a single boat on a calm ocean with layers and layers of massive mountain ranges stretching into the distance. The sky is orange the landscape is dark gray, black, and blues.