I Accidentally Released A Book and Other Tales

I accidentally released a book! It’s titled The Bald Princess and Other Tales.

Enjoy five original fairy tales in this collection by Ariele Sieling. Written in the same style as Grimm's fairy tales, each story seeks to explore modern values in the context of an eccentric, omniscient world filled with wild animals, kings and queens, magic, and more.

In The Bald Princess, meet Elspeth, who is in search of a hair piece that will do justice to her eventual role as queen.

In The Twilight Wood, meet Eloita, a young guard tasked with protecting a prince who is determined to understand a powerful forest that kills all who enter it.

In The Guilt of the Enchantress, meet Liaandra, a powerful battle mage who makes a terrible mistake that changes the course of her life forever.

In The Wolf Princess, meet Sable, cursed as a child to run with the wolves, but who has embraced her new identity with gusto—until her parents start searching for her in earnest.

In The Milkmaid and the Death Weed, meet Fiora, a young milkmaid who sets out to seek her fortune, only to discover that everything she touches dies.

This book is the first in a series of anthologies filled with brand-new engaging and heart-warming fairy tales.

One of the things you should know about me is that I do not operate well on a fixed schedule. I keep a running list of things I need to get done, and I choose my daily activities based on my mood. This has taken some training, as I'm sure you can guess, given that sometimes I feel like playing video games or watching TV rather than working, but these days I'm excited about my work most of the time, so it's not a problem. 

What is a problem, is when I try to force myself to hit deadlines. As soon as there's a due date in my brain, it's like I freeze up, and every moment I spend working toward the deadline is painful, slow, and inefficient. Of course, I can't be entirely free of deadlines—I do have to work with other people sometimes, and I have editing clients and whatnot.

I've figured out a few strategies for this. For example, I tend to give myself a lot more time to do the work than I technically need. I also try to schedule things monthly whenever I can, rather than trying to hit a specific day. Mainly, though, I just don't set deadlines on anything I don't have to.

This means that sometimes I publish books later than I planned. It also means that sometimes I publish books earlier than planned. 

So here we are. 

If you will remember, during Camp National Novel Writing Month last April, I focused on writing anything I wanted to, to practice and lean into my intuitive writing. It was wildly successful (you can read about it here), and one of the things I produced was a series of original fairy tales. 

My new book, The Bald Princess and Other Tales, is a compilation of the first batch of fairy tales. It also includes a foreword, in which I talk about the project, and an author's note in the end which, to be honest, is basically just an essay on why I think fairy tales have such staying power in our culture. I anticipated releasing this in July, but it's ready to go, so I figured: why wait? Volume II will likely be out later this summer (though, no deadlines, and no promises!); not to mention, I have quite a few other things in the works. 

I hope you enjoy the original tales in The Bald Princess and Other Tales, and stay tuned for more updates!

Monster Compendium: Tentacles and Teeth

Recently, a reader suggested to me that I put together a compendium of monsters, so readers could see all the monsters from the Land of Szornyek world. As you may know, I have already done illustrations for my patrons (click here to become a patron!), but I decided that it’s time to start sharing the drawings more widely.

I’ve put quite a few on Instagram in various stages of conception, but now I will be sharing each of them in blog posts. I have considered doing a book as well, but that would be a future project. For now, enjoy the monsters from Tentacles and Teeth!

Nagy

This was the first monster introduced! This creature is enormous, with purplish skin and twelve tentacles. It is voracious and quick, and will eat any living creature that gets in its way. They are luckily quite rare. This is also the first monster drawing I ever did, and what convinced me to continue with the style of stippling.


Rarohan

In the first draft of Tentacles and Teeth, there were no rarohan. This monster was added in editing. It was, however, still the second drawing I ever did. Drawing the rib bones gave me quite a headache lol.

Fun fact: Later, when I began using my drawings as part of digital illustrations, I became annoyed with myself that I had cut off the tail in the original drawing. Why, me, why?

Gamba

The gamba might be one of my all-time favorite monsters (after Polly, Arrow, of course). I think they are hilarious, and whenever I do a live reading of my work, I always pick the scene where Askari pokes a gamba with a stick.

Pok

One joke writers like to make is how they create terrible situations but then have to figure out how to get their characters out of them. The pok was one of those situations for me. I’d come up with what I thought was a creepy and cool monster (also a favorite of nine-year-olds at comic cons, in case you were wondering), but it was basically unkillable.

It’s dead now, but there’s a reason I didn’t bring it back later in the series lol

Kover

The kover is a favorite of a lot of readers. I liked the idea of a slow monster, but it had to have some way to protect itself. Enter: incapacitating poison and ejectable quills. Fun fact: did you know that porcupines don’t actually shoot their quills? The quills are more like spiky hair.

Hulla

Hulla were one of my creepier inventions, at least in my mind. I wanted something that would allow me to explore how we think about death, and here we are.

Fulek

The fulek was actually one of the last monsters I wrote for this book. Originally, there was a different scene here, with a lake monster. But the lake monster didn’t really have anything to do with anything. I instead needed a way to talk a little bit more about the Lamplighters, while also giving the reader a chance to get to know Minda just a bit more. I also wanted a monster that wasn’t inherently bad, to add some fuel to the fire of Askari’s changing mind, since that was one of the main themes of the series.

Gyiks

Gyiks! When I invented these, I wanted something easy to kill. I’d started off by making so many of the monsters in this series impossibly large, impossibly strong, and impossibly everything. So then, I made gyiks. Of course, I didn’t want it to be too easy, hence the horde.

Another fun fact: this was the first color monster illustration I did! I ultimately decided not to do them all in color, because it took me a lot longer than black and white.

Barlang

The barlang represents a significant shift in my mindset as I was writing Tentacles and Teeth. It was the first monster I wanted the reader to feel some kind of compassion for. I’ll be honest, if I were a monster, I’d be a barlang. I want to live in my cave, eat cave lichen, and be left alone. If a bunch of humans took up refuge and then attacked me, I’d probably be pretty pissed.

I still feel a little sorry for this creature, and sometimes wish I had found a way to let them live.

Elnok

Elnok! Was my way of humanizing the hulla, to provide some nice, round, fat cognitive dissonance for Askari. Wait, these creepy AF monsters have a queen? Some semblance of a society? And Minda is friends with them? Yup. I love cognitive dissonance. It’s why I’m an absurdist, I guess.

Minket

And here we have everyone’s favorite, adorable, little companion: a minket!

Polly is a great monster. She’s clever and fun and funny. And Dreadnaught—what a gem.

Polly was designed to be one of the most significant nails in the coffin for the beliefs Askari was raised with: that all monsters are evil and bad. Which was also a theme I wanted to explore in the book in general. So many of the ideas and ideologies we are taught are presented in black and white terms: good or bad. But the world is a lot more complex and nuanced than that, and my personal belief is that one of the most important things we can do as humans is learn to accept nuance and contradiction.

And Polly is the manifestation of that belief.

A Few More Monsters

Those are all the main monsters in Tentacles and Teeth, but I’ve done a lot more art than just those eleven illustrations. So below, enjoy a slideshow of a few of the other pieces I’ve done over the last few years! And stay tuned for a post about City of Dod!

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End of April Update

Happy May! April was an excellent month for me, and I’m just now starting to recover from it.

It was Camp National Novel Writing month, which is an offshoot of the regular NaNoWriMo, and tried something new—practicing intuitive writing. I won't get into all the boring details, but essentially, there are two kinds of writers: those who plot everything out in advance and those who don't (technically, there are lots of subcategories of those groups as well, but I digress). 

I am a writer who doesn't plot things out ahead of time, and I've always fought with it. I've read a couple dozen books on plotting, taken courses on it, even taught courses on it, and it never worked for me. So the last couple years I've been leaning into intuitive drafting more and more, trying to work with my brain rather than against it, and it's one of the best writing choices I've ever made.

Last month, I dove in with both feet. The goal was to simply write whatever I felt like, however I felt like, whenever I felt like. And the results have been astonishing.

By the end of the month, I clocked nearly 105k words written. For reference, the goal for a regular NanoWriMo is 50k, and during a typical camp, I tend to aim for 30k. My books tend to range between 60k and 80k words.

I wrote across several projects simultaneously: a series of short fairy tales by Ariele (see the cover images); a longer fantasy novel in a new world, new series; a book on intuitive writing for writers; and a short story set in the Land of Szornyek world about Askari's mother. 

I have several other projects on the horizon as well. I just got back my proofreader's notes on Book 7 of Land of Szornyek, so you can likely expect that within the next couple of weeks, depending on whether or not I do a map to go with it—if you want a map of Askari's world leave a comment, and if I get at least 3 replies either here or via email, I'll definitely do it.

In addition, I'm working on scheduling the proofread of the secret trilogy I've been talking about for three years, now titled Aria's Song. The plan is to launch all three books of the trilogy at once sometime in July, though that will depend somewhat on how well I can get my act together. 

And soon, I hope to have another update on the Rove City series, so keep an eye out for that. 

At any rate, my April was great. High word count aside, I also played piano nearly every day, planted some stuff in the garden, finished a few major house projects, and had a nice visit with my father-in-law. So yeah, feeling pretty good.

Now that May is here, I’ve spent a few days recovering (that many words is like running a month-long marathon), and am trying to catch up on all the things I ignored. I have a couple more blog posts in the queue as well, so stay tuned!

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The Wolf Princess: An Excerpt

Update 5/27/2022: Read the full story here: https://books2read.com/u/mV8eXr !

This month, for Camp Nano, I’ve been working on a series of fairy tale short stories, among everything. Here is a quick excerpt. The whole thing will be available soon, so stay tuned!

The Wolf Princess

Once upon a time, King and Queen Acron of Balini birthed a beautiful daughter with pitch black hair. They had spent many years trying to conceive, and when they were finally successful they were ecstatic. However, on the day of her birth, the evil enchantress Liaandra the Bold strode into the castle, miffed that the King hadn’t paid her wages, for back in those days, she worked as a powerful battlemage on behalf of the royal family. But surely, so the story went, the King couldn’t be expected to remember something so paltry as wages on the day of the birth of his daughter, a much long-awaited event due to the queen’s struggles to bear children.

But Liaandra the Bold was most displeased, and as the King and Queen stood at the head of the throne room, ready to introduce the child to the court, her words echoed, “You dare treat me so, my liege?” Her voice was tinged with a vile sneer. “Throw me to the wolves, and so too shall your daughter be thrown to the wolves!”

And then she strode from the throne room in fury, her emerald green cape swirling in the wind.

At first, everyone thought they were just the ordinary words of an angry enchantress. But that night, the wolves outside howled fearfully in the gusty windy night. And the next night, the creatures drew closer to the castle, and the next night, even closer.

Of course, the king and queen had no intention of letting the wolves anywhere near their daughter. So they put out a bounty: any man or woman who brought a dead wolf to their doorstep would be paid a handsome sum. And as their daughter grew in age, wisdom, and stature, they resolved never to let her outdoors, nor anywhere near where she might encounter a wolf.

But their plans were ever foiled. Not a single man nor woman managed to successfully capture, maim, or kill a wolf, though the entire kingdom could clearly hear their howls from the forest and see their paw prints in the snow. And when the princess was a mere five years old, she sneaked out from under the watchful eye of her nursemaid, and made it all the way to the courtyard before anyone caught her.

Her parents added more guards, more nursemaids, and more servants to keep a watchful eye on her, but when she was eight, she escaped again. This time, they caught her all the way at the castle wall. And when she was fifteen—well, at that point, she was too smart, too clever, and too motivated, and she vanished without a trace. It was the middle of the winter, and on the night of her departure, and they tracked her footprints deep into the forest to a clearing, where they were most distraught to find the prints of dozens of wolves.

###

They said it was a curse, but for the life of her, Princess Sable couldn’t understand why.

The wolves, she discovered, were kind and gentle, soft and warm. For as long as she could remember, she listened to their song in the distance, a beautiful strain that swirled in the winter wind, danced among the conifers, and harmonized with the golden light of the full moon. And every time she had opened a window, or even dared simply to peer out, a nurse or a servant or a governess would rush over and slam it shut in her face.

There was to be no listening to the wolves, they told her, or even thinking about them, and every story book, history book, painting, and tapestry which featured wolves of any kind was removed from the palace as soon as it was discovered. And while Princess Sable’s life had been comfortable, she found it severely lacking. It was as if there was a hole inside of her she needed to fill.

When she ran away at age five, it hadn’t been with ill intent. She’d only wanted to hear the whispers of the wolves a little more clearly. And when she was eight, she’d wanted to meet one. At age fifteen, however, her motivations had been a lot different. For as fearful as her parents were of the great beasts of prey who prowled their kingdom like invisible demons, the truth was, Sable was tired of being protected. She had barely had a moment alone in her entire life. She had no free time, no alone time, and even her social life was carefully regulated by the king and queen.

What she wanted was a little freedom.

Any freedom at all.

And she knew, deep inside, that the only place she would find that freedom was with the wolves.

So, on the eve of her fifteenth birthday, after many weeks and months and even years of planning, she slipped from the castle and made her way to the woods. She didn’t feel the cold of the wind nor the icy burn of the snow underfoot—only the thundering of her heart and the rush of pleasure at finally being free.

And when she arrived in the clearing, the wolves waited for her, panting from their own race through the wintery wood, and then led her to their den in the far reaches of the kingdom.

No, Princess Sable soon learned, it was not a curse at all. For the magic of the great enchantress wrapped around her like warm boots and gloves. It gave her warmth and safety even as snow swirled around her and ice formed on the trees. It sneaked into her mind in the form of knowledge—of how to light a fire, how to cook food, how to trap smaller animals, how to forage for edible plants, how to boil water. And as she matured in age and beauty, so too did she mature in skill, strength, and determination.

The king and queen, however, lamented the loss of their daughter. They renewed the bounty on the wolves, with an even higher sum, and added one caveat: whoever could bring their daughter back from the grip of the wolves would be rewarded beyond measure. Many speculated about what they meant by that. Some thought they were offering riches, others preferred a title, and some even considered that the king and queen intended to offer the princess’s hand in marriage to whomever could find and save her.

The princess, of course, knew none of this. She now lived with absolute freedom and abandon, protected by the gift the enchantress had given her, and never lacking for companionship. For all the woods of the forest were at her beck and call. And together they roamed and ran and thrived.

But one day, everything changed. She and the wolves were out for a run when they stumbled upon a small cabin in the woods, and coming from inside, Sable could hear the small cries of what she thought was a child. She bade the wolves to wait quietly while she sneaked up to the cabin and peered through a small window. She was shocked to see not a child, but a woman, of middling age, sitting in a chair by a roaring fire and sobbing into her hands. Her cries racked her whole body, and Sable felt a well of compassion sweep over her.

So she knocked on the door.

“I saw you weeping,” she said by way of greeting. The social niceties she’d learned as a princess weren’t more than a distant memory at this point. She didn’t even know how long she’d been gone from her life as a princess. “Can I help?”

“My dear!” the woman exclaimed. “Come in! You must be freezing!”

Sable looked down at herself and for the first time since she’d run away, realized how she must look to others. She wore a thin dress, full of holes and covered with dirt; her black hair, while she washed and braided it weekly, was nearly to her knees in length and full of sticks and leaves; and she wore no shoes.

“Oh no,” she assured the woman, even as she willingly stepped into the cabin. “I am fine. I am protected. I was merely concerned for you.”

“You’re too kind.” The woman’s eyes and cheeks were reddened by the tears. “Perhaps I could give you some soup?”

“I haven’t had soup in…” Sable trailed off. She couldn’t remember how long it had been since she’d had soup. “May I ask why you were crying?”

“My husband has left,” the woman replied. “And I fear for him.”

“Where has he gone?”

“He says he has gone to improve our fortunes,” the woman replied, “but I think he has gone on a fool’s errand.”

“Improving your fortunes doesn’t sound too bad,” Sable said. “What does he plan to do?”

“He plans to find the lost princess,” the woman said.

“Oh.” Sable frowned. “Why? Has she done something wrong?”

“Have you not heard?” The woman once more glanced at Sable’s attire. “Surely not, if you are living in the woods. Many years ago, when the princess disappeared, the king and queen offered a handsome sum for her return. But none have found her.” The woman sighed. “It has been seven years, and now the queen is ill. She will bear no more children and the king must name an heir to the throne. They have put out one last call to find her, and if she does not return, then she will be presumed dead and the king will name a new heir.”

“Your husband thinks he can find the lost princess?” Sable asked, growing concerned.

“He wants to try,” she said, “with a hope of earning the riches promised by the crown.”

“I see.” Sable took a sip of the soup. “And why did you not go with him?”

“How could I?” the woman asked. “And give up our home and gardens and everything we have worked so hard to build together?”

“Is your home and garden more important than your love for him?” Sable asked, not looking up from her soup. It was quite delicious.

The woman sat quietly for a few moments. “I suppose not.”

“Perhaps you should go after him,” Sable said. “Has he been gone long?”

“Only a few days.” The woman looked at Sable curiously. “And what of you?”

“I am only passing through,” Sable said. “But wanted to make sure you were okay.” She drained the last bite of soup. “I will leave you to your tears.”

“Wait,” the woman said. “If… if I were to go after him—survival would be difficult. It is frigid cold, and taking such a long journey alone would be difficult. If you know these woods well, perhaps you have a thought for how I might take such a journey on my own.”

“Oh.” Sable thought for a moment. “I suppose I could help you.”

“You could?” the woman exclaimed. “Would you?”

Thus, Sable agreed to escort the woman to the edge of the great forest.

Stay tuned for updates!

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The Lilac Tree

I thought I’d share an essay I wrote a while back, originally published in the Yellow Arrow Journal in 2020. I’m constantly writing essays, but when I go back, some of my old ones feel weird, almost like I didn’t write them. They don’t quite feel like me.

It’s interesting to see and watch how my voice and style has changed over the years. And I think this is a good example. I wrote this in 2019, published in 2020. If you’re interested in comparing, check out The Art of Wandering from about a month ago or Heartbeat from March 2021.

The Lilac Tree

When I was 10 years old, I had a beehive. Long story short—it died. But around my beehive, I planted a garden. To get to it, I had to cross the road, pass the barn, climb up a homemade stone staircase and a painfully steep hill, and make a left. I planted irises, marigolds, pansies, daisies, black-eyed Susans. I mowed down the grass and trimmed the bushes so there was plenty of light, plenty of room for everything to grow.

My friend Sarah used to garden with me. We cut down sapling trees and made an arch at the entrance. We collected big rocks and used them to line the edges of the flower beds. Before the beehive died, the bees hated Sarah. She must have smelled bad. Every time we worked up there, she got stung.

For my birthday one year, my parents gave me a lilac bush. It was small, a cutting from one of the big bushes by the house. I planted it in my garden. It didn’t bloom that year, but I still took care of it. Water. Soil. Sun. It bloomed the next year though, and the next.

My brother Gary had a garden, too. He was older, so his was much more extravagant. It was on top of the hill on the other side of the road, above the pond. It started out as raised beds. He built them with stones and filled them with soil. A shade garden, so myrtle. Lots of myrtle. And bloodroot. Lungwort. Forget-me-nots. Snowdrops. And comfrey.

Next, he built a hydraulic ram pump. I have no idea how it worked, but it didn’t require electricity. He put it in the spring, and it pumped water all the way up the hill into a big old plastic trash can. That trash can was always full. He used it to water the plants and sometimes for drinking water. Later, he spliced the pipes and made a fountain and a tiny pond in the middle of the garden.

He built a wall from rocks. And then a tower—about 7 ft tall, 10 ft in diameter. Big, but not that big. We helped—Sarah, Evan (my little brother), and me. I carried a lot of rocks. Gary carefully dry laid them, one by one. We all worked together to thatch the roof of the tower. It was like a castle. We called it Gary’s Garden.

Evan had a garden, too. His was messier, more Bohemian—it had a little bit of everything. It was on the hill behind the house, a different quadrant of the property than my garden or Gary’s. It had dirt trails, wild roses, elephant ferns, and a little bench made from leftover wood he scavenged from the barn. He even built a tiny shed where he kept his tools—one rake, a shovel, and an antique coke bottle. When his rabbits died, he buried them there.

The shed is still there, and the bones of his beloved pets. Maybe a few elephant ferns. But the rest of the garden has gone wild. In Gary’s Garden, the stone walls still stand, overrun with vines and myrtle and the downed branches of white pines. One of the walls has collapsed. The pump is gone, the pipes removed. But the bloodroot still grows. And snowdrops, every year.

Over the years, I aged, as one does. Through middle school, high school, college. I moved to North Carolina, New Hampshire, Maryland. Periodically, I would go home and peek in on my own garden. The marigolds and pansies died, of course. But the irises still bloomed every year. And the daisies. The black-eyed Susans. The Queen Ann’s lace. Dad eventually took the beehive back to his apiary and filled it with new bees.

Eventually, I stopped looking. It was a difficult trek up that hill, and the stone steps fell into disrepair. Bushes grew over the entrance, making the spot hard to get to. Last spring, I finally decided to go back. Dad had mowed a path to get to the apple trees, right through where my garden had been.

The arch was gone. The irises had vanished. I couldn’t find any signs of the stones I had laid out around the flower beds. The trees on all sides had grown up around it, their branches entwined, all reaching for the same sunlight.

But there, in the middle of it all, stood the lilac tree, in full bloom.

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